Contents
Painted Paradoxes: The Trompe-L’Oeil Fly in the Renaissance, Kandice Rawlings
Death and Devotion in Renaissance Venice: Giorgione’s Boy with an Arrow and the Cult of Saint Sebastian, Rebekah Perry
Touch of Evil: Disease and the Diabolical in Grünewald’s Temptation of St. Anthony, Jerry Marino
The Conquest of Etruria in Francesco Salviati’s Triumph of Camillus, Caroline Hillard
Unraveling the Deception: Trompe l’Oeil as Guide to Charles Bird King’s Picture Gallery, 1824-1861, Rowena Houghton Dasch
Grabbing Modernity by the Horns: Mary Cassatt’s Offering the Panal to the Bullfighter, Mary Dailey Pattee
Reconciling the Civil War in Winslow Homer’s Undertow, Clara Barnhart
Excavating the Subjective in Gustaf Nordenskiöld’s The Cliff Swellers in the Mesa Verde, Bryna R. Campbell
The Country Cousin: Advocating an Arcadian America, Keri Fredericks
Hardcastle (1962): Memory, Catastrophe, Minimalism, Michael Alvar de Baca
The Diagram Dematerialized, from Marcel Duchamp to John Cage to George Brecht, Natilee Harren
Hans Haacke’s Zero Hour, Rachael Churner