Vol. 22 (2004)

Contents
Portraying the Aztec Past in the Codex Azcatitlan: Colonial Strategies, Angela Marie Herren

“The Triumph of the Text:” A Reconsideration of Giovanni Vendramin’s Architectural Frontispieces, Lisandra Estevez

The Ca’Dario: A Message from a Cittadino, Julianne Parse Sandlin

Illusion and Deception: Construction of a Proverb in Hieronymus Bosch’s The Conjurer, Elina Gertsman

Giulio Romano’s Garden of Venus as an Interactive Spatial Metaphor, Diann G. Montague

The Sacro Monte of Varallo as a Physical Manifestation of the Spiritual Exercises, Ryan Gregg

Disbelieving in Witchcraft: Allori’s Melancholic Circe in the Palazzo Salviati, Guy Tal

Emblem of Victory: The Immaculate Conception in Spanish Colonial Painting of the Viceroyalty of New Spain, Iraida Rodríguez-Negrón

Ramón Frade’s El Pan Nuestro: The Jíbaro as a Visual Construction of Puerto Rican National Identity, Ilenia Colón Mendoza

One Portrait of One Woman: The Influence of Gertrude Stein on Marsden Hartley’s Approach to the Object Portrait Genre, Christal Hensley

The Effacement of Myth: A Study of the Work of Roland Barthes, Isidore Isou, Françoise Dufrêne and Daniel Buren, Jennifer Farrell

Absence of Evidence: Depicting the Truth of War, Tienfong Ho